This building is one of the latest build projects signed by Frank Gehry, and is located in Las Vegas. The center is funded and supported by Keep Memory Alive, and it’s supposed to become a national resource for the most current research and scientific information for the treatment of Alzheimer’s, Parkinson’s, Huntington ’s Diseases, and ALS (Lou Gehrig’s Disease) as well as focusing on prevention, early detection and education. The complete name of the project is Cleveland Clinic Lou Ruvo Center for Brain Health, and from the images you can see that is nothing ordinary about it, as we were accustomed to Gehry’s projects.

Following images courtesy of Matthew Carbone:

The center hosts these 3 main spaces:

1. Medical building for patient care and research. Featuring simple, functional interiors and a lego like exterior of slightly disorderly blocks.

2. A breezeway between the medical building and the higher profile stainless steel Life Activity Center. The breezeway provides a shaded seated area to enjoy the Las Vegas weather while avoiding direct sunlight. There is also a small cafe and it is method to experiencing the reflection garden to the east.

3. The Life Activity Center – this is the portion of the project that has and will receive most of the attention. It is also the most misunderstood. Patients are not treated in the space, nor do they ever really interact with it except for the facade.

[via]

This infirmary is located inside the playground of the highschool Diderot d’Alembert in Aubervilliers – Paris in the suburbs. The building is separated in two, by both its fonctions and acces. On one side you can get to the infirmary and the toilets, on the other to the office.

The separation also appears in the colors used on each side of the building, green and red. The inside light comes through the facades by pixalated openings. A gradient color links both of the side visualy. A banch has been added on the facade folowing the smooth angles. Regarding the intimacy required by this kind of programm, we’ve choosen to get the natural light form a skydome.

Architects: Chartier/Dalix Architectes
Location: Aubervilliers (93), France
Client: Conseil Géneral du 93 – DBD
Engineers: E.P.D.C.
Project Area: 154 sqm
Project Year: 2010
Photographs: Mathieu Janand

Architects: C.F.Møller Architects
Location: Oslo, Norway
Collaborators: Multiconsult AS, SWECO AS, Hjellnes COWI AS / Interconsult ASA, Ingemannson Technology, Nosyko/Erstad og Lekven
Client: Helse Sør-Øst RHF
Landscape: Bjørbekk & Lindheim AS, Schønherr Landskab A/S
Artists Involved: Troels Wörsel, Gunilla Klingberg, Mari Slaattelid, Knut Henrik Henriksen, Jan Christensen, Tony Cragg, Birgir Andrésson, Petteri Nisunen, Tommi Grönlund, Julie Nord, Per Sundberg, Vesa Honkonen, Janna Thöle-Juul, Kristine Halmrast, Mikkel Rasmussen Hofplass
Project year: 2000-2008
Constructed Area: 137,000 sqm
Photographs: Torben Eskerod & C.F.Møller Architects

The new university hospital is not a traditional institutional construction; it is a friendly, informal place with open, well-structured surroundings which present a welcoming aspect to patients and their families.

Akershus University Hospital has been designed to emphasize security and clarity in experientially rich surroundings, where everyday functions and well-known materials are integrated into the hospital’s structure.

Wholeness and variation

Although the individual parts of the development each have their own material expression and the material expression of the development varies, nonetheless it is united into a whole by means of a general architectural theme centred on panels and transparency. In this way, a unity is created between the individual parts of the complex, which thereby receive a subtle effect of transparency and depth.

Treatment department

Facades in glass, plaster and aluminium panelling, with white-lacquered sinusoidal aluminium panels in the courtyards

Wards

Facades in dark screen tiling
Children’s department
Facades with wood cladding

Chapel

Facades clad in oak panels and tombac (an alloy of zinc and brass)

Front building and main arrivals area

Facades in glass, plaster and glass tiling

Structured like a town

A glass-roofed main thoroughfare, in which wood is the dominating material, links the various buildings and departments. The ’glass street’ begins in the welcoming foyer of the arrivals area, where the main reception desk receives visitors, and concludes in the foyer and separate arrivals area of the children’s department.

In the glass street, the central element in the development, the various materials are united in an overall composition, in which the large coloured panels designed by the Icelandic artist Birgir Andrésson form a natural element and provide a ’palette’ for the colour scheme of the hospital.

The glass street has a town-like structure, with public and semi-public zones defined as squares and open spaces, offering the everyday functions of a town: church, pharmacy, hairdresser, florist, café and kiosk, as well as traffic nodes and other services for the benefit of patients, relatives and staff.

In natural continuation of these functions, a number of other services, such as health information, polyclinics and out-patient surgeries, are located near the street level of the thoroughfare.

Centred on the patient

The hospital’s structure helps to ensure that the patient remains the natural focus in the physical design, despite the strict and demanding logistical requirements which underlie all hospital constructions. Just as the overall complex is made up of clear and comprehensible units, so the individual wards are built up from smaller elements.

The wards are centred around four so-called courtyards which ensure a well-defined daily life for the patients, with a manageable level of social contact, assisted by a clear staff interface.
The wards of the children’s department are equipped with windows which give the children and young people individual views of both the sky and the surrounding greenery from their beds. The well-equipped facilities for parents secure excellent contact between the children and their families.

via Archdaily