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Subarquitectura | CASA 360

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This house fits like a glow in the archtopia. This awesome concept comes from Spain, and is the design and work of  Subarquitectura. The 360 House is in Galapagar, Spain. And as the pictures will definitely show you, it’s all about movement.

Casa 360

Casa 360

Casa 360

Casa 360

Casa 360 3

Casa 360 4

Casa 360 5

Casa 360 6

CASA 360 described by Subarquitectura
A unique opportunity for us is in reality a problem that’s been posed thousands of times: to construct a house with a public programme of social relation, associated with the private life of a numerous family on a sloping plot of land with privileged views of the mountains outside Madrid. It has no one solution, there are many, they’re even catalogued in books about houses of a slope.
We try not to think of domestic spaces. On the contrary, we take as a point of reference works of engineering, motorway intersections, changes of direction. We proceed from generic solutions to the problem of descending, solutions that conceal great plasticity. We seek the poetic in all that seems to have been considered from the merely pragmatic point of view.
The result is the literal construction of a use diagram. In this instance, form does not follow function, but is instead function itself. Cyclical movement, routine and surprise turn into a way of living.
Its formal complexity offers the possibility of reaching all points of the house through two different routes, which multiply the possibilities of use and enjoyment. It has the form of a loop, 360º, like the shapes skaters make, like of gymnasts, as artistic as they are precise.
An extreme shape, the house is curved, generating the greatest quantity of linear meters towards the good views. It is shored up in the landscape and turns back on itself, completing the revolution. The degree of intimacy increases as the distance to the ends increases. At the midpoint, a mediatheque, isolated and completely dark, 100 % technology, 0 % landscape.
With a single gesture two ways of moving are generated: going down and looking outwards. The long house, a sinuous movement, a descent by ramp and ample turning radii tangential to the setbacks of the plot of land generate a panoramic vision. The short house, the quick way in a straight line, stairs of direct descent and a deep view towards the landscape.
A building that is black outside, absorbent, of slate, a material specific to the location, imposed as an aesthetic specification of the area. White inside, reflective, generic, neutral, and luminous. Life incorporates colour, outside with the vegetation and inside with the people.

CASA 360 described by Subarquitectura

A unique opportunity for us is in reality a problem that’s been posed thousands of times: to construct a house with a public programme of social relation, associated with the private life of a numerous family on a sloping plot of land with privileged views of the mountains outside Madrid. It has no one solution, there are many, they’re even catalogued in books about houses of a slope.

We try not to think of domestic spaces. On the contrary, we take as a point of reference works of engineering, motorway intersections, changes of direction. We proceed from generic solutions to the problem of descending, solutions that conceal great plasticity. We seek the poetic in all that seems to have been considered from the merely pragmatic point of view.

The result is the literal construction of a use diagram. In this instance, form does not follow function, but is instead function itself. Cyclical movement, routine and surprise turn into a way of living.

Its formal complexity offers the possibility of reaching all points of the house through two different routes, which multiply the possibilities of use and enjoyment. It has the form of a loop, 360º, like the shapes skaters make, like of gymnasts, as artistic as they are precise.

An extreme shape, the house is curved, generating the greatest quantity of linear meters towards the good views. It is shored up in the landscape and turns back on itself, completing the revolution. The degree of intimacy increases as the distance to the ends increases. At the midpoint, a mediatheque, isolated and completely dark, 100 % technology, 0 % landscape.

With a single gesture two ways of moving are generated: going down and looking outwards. The long house, a sinuous movement, a descent by ramp and ample turning radii tangential to the setbacks of the plot of land generate a panoramic vision. The short house, the quick way in a straight line, stairs of direct descent and a deep view towards the landscape.

A building that is black outside, absorbent, of slate, a material specific to the location, imposed as an aesthetic specification of the area. White inside, reflective, generic, neutral, and luminous. Life incorporates colour, outside with the vegetation and inside with the people.

Images by David Frutos Ruiz

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